# The Case of the Loose Wire

Strip: The Loose Wire
Meta: 6 panels · 3 across × 2 down · LEAD: CONNIE CHASE · present tense throughout
Pointer: Case notes: <a class="mock" href="case-notes-loose-wire.md">case-notes-loose-wire.md</a> &middot; series rules: <a class="mock" href="index.html">the Casebook</a>

<b>Lead: Connie Chase.</b> Present day, and <b>entirely present tense</b>: one Friday evening, end to end, perhaps twenty minutes of real time. No time tags, no double frames, no sepia anywhere.

Case notes to follow at <a href="case-notes-loose-wire.md">case-notes-loose-wire.md</a>; radio version not yet drafted.

> **This is the source.** The build is `comic-loose-wire.html`, generated from this file
> by `rake comedy:build`. Write here; the build is disposable and gets overwritten.
>
> Format: `##` opens a row · `**PANEL n · tone**` opens a panel · `>` is a
> balloon, one per line · `!` is the art note · `` `backticks` `` are
> on-screen text · everything else is a caption. They render in the order
> written, and captions number themselves (CAP 1/2, CAP 2/2). Blank line
> between blocks; a caption or balloon may wrap onto unmarked lines.
>
> Tones: `noir` `arena` `turn` `product`, plus `flashback` and `wide`. A tone
> carries forward, so write it only where it changes; the first panel must state
> one. Modifiers never carry: `wide` describes one frame, not a run.
> `Layout: widerow` under a row heading merges it to one frame, whose beats are
> then `### BEAT n` blocks each holding their own captions.

```css
header.brief p { margin: 0 0 0.5rem; max-width: 62ch; color: #e9dcf5; line-height: 1.6; }
header.brief p:last-child { margin-bottom: 0; }
```

---

## Row 1 — the case (full noir)

**PANEL 1 · noir**

Sixty informants. Each one wearing a wire.

And if they're doing their job right, I'll never hear a single word.

**PANEL 2 · noir**

Number thirty-one's a head-scratcher, though. Only wears it most of the time, not all day. Informants who want out don't go cold turkey. They ease off, a little at a time. Sure would be a shame if I had to take her off the books.

**PANEL 3 · noir**

> I'm sure you're already aware, but VIGIL's thirty-one is at seventy-four percent. Under seventy and she's out.

> Don't chase it, though. People drift.

Dr. Grant does this every Friday. Says goodnight, gets halfway to the car, comes back with a number.

She was right. Probably just random anyway. But then something caught my attention.

## Row 2 — the break (hinge, then the product)

**PANEL 4 · turn**

`⚠&nbsp;&nbsp;031 · WEAR TIME 74% · UNCHANGED 41 DAYS`

Seventy-four percent. Dr. Grant was right on the money.

But hold on... forty-one days with a sigma you could slip under a door? How is she that consistent?

**PANEL 5 · product** <!-- 5 — CLIMAX -->

> Mrs. Ruiz? Connie, from the university. When does that watch come off?

> [phone] Oh, when I charge it. The card you gave me says daily, so I plug it in when I go to bed.

She had an alibi. CHARGE DAILY. Two words, and neither one was <i>when</i>.

**PANEL 6 · product** <!-- 6 — BUTTON -->

When a wire flips on you, it pays to ask. Could be the bird has flown. Sometimes it just can't find its way back to the nest.

I was about to tell Dr. Grant all this, when I realized her car had been gone ten minutes.
